STRATA celebrates modernist design in multiple ways. Its vast use of glass blurs the inside with the outside. Its deep overhanging eaves intersecting with each other at various angles recalls the best work of Wright. Its expansive glass calls to mind Neutra’s work and his insistence on architectural transparency. The house’s imaginative interiors bespeak comfort and solace needed for days spent in the unforgiving Arizona sun. Its construction required extensive work on the site before the first slab was poured, a testament to the talent of the construction team. Whenever and wherever possible, native stone and wood were used to give the house a sense of authenticity. The sliding glass doors located at multiple points allow the owners to have delightful dinner parties just as the sun is setting and the dry air is cooling – neither indoors nor outdoors, but a vivid combination of the two.

This book contains a compilation of the work of Perkins & Will Miami since it’s inception in 1996. Drawing from a legacy of nearly a century of the fabled Chicago architectural Firm, the story of the Miami Studio is one of a search for a regional and critical modernist language unique to its time and place. Starting as a five person office, the studio has grown to a team of 70 architects, interior designers, and landscape professionals who have come together with a single vision of meaning and purpose. The work ranges from one of the most visionary Corporate Headquarters in the country, to a Hospital in Ghana; from the most important new Public Park in Florida to the largest Women’s University in the Middle East; from an Innovation Center in Rio de Janeiro, to an Office Building in Wynwood.

STRIVE explores Jones Studio’s four decades of work bringing inventive design to our built environment. The firm samples from ancient global architecture and the pragmatics of the American School, from the realities of today’s climate change to nature’s healing truths, to create a unique modernism of place. Nature is a primary partner and collaborator in Jones Studio’s work. Firm founder Eddie Jones, brother Neal Jones and partners Brian Farling and Jacob Benyi express the preciousness of water and light in the Sonoran Desert and beyond. Water performs, literally and figuratively, across Jones

These seventy-five works are the harvest of seventeen years of exploration from our office in San Francisco. With this admired city as backdrop, we search for ways to produce fitting contemporary architecture in its highly conservative terrain. These local efforts have provided opportunities to also work nationally. The projects describe allied explorations of Outsides and Insides, Places and Programs, Contexts and Contents. Outsides are about building the evolving city with continuity. More than 80% of the fabric of cities is housing, so urban grain is predominantly composed of dwellings, and multifamily housing has become a focus of our work where we have explored ways to be both contextual and contemporary simultaneously. Insides are about blankness, emptiness to provide indeterminate shelter which frees occupants to inhabit space at their will.

Artron is the foremost printing enterprise in China. As the core project of Artron’s printing culture industry, the Artron art website is actively setting up to create archives for artists. Moreover, since the site is at the periphery of the city, the art center will need to be conceived with a one-stop multi-service printing facility and cultural center. The site of Shenzhen’s Artron Art Center is located on the city edge, surrounded by three highways. In order to keep away from the noisy and chaotic environment, the building is idealized to be a landmark to define this area. Since the main view of this building will come from the three adjacent highways, the building shape should be continuous and integrated with the large-scale urban infrastructure to form a dialogue between the two. Taking into account the volume as a whole, the architects must think about how to digest this huge volume. On the one hand, on the premise of integrity and continuity, the gaps between the different parts of the volumes were created to bring people the comfortable visual impression when walking in this territory.

The white worlds Kim Utzon has created in Denmark and southern Sweden over the last few decades are stage sets for the ordered appearance of rational and reasonable human beings at work, at home, or at play. Clear in their composition, sequence, and scale, sensuous in their responseto light, and conducive to rest and reason more than anything else, theare a refinement of the Scandinavian Modern tradition in which he works. Combining sparse and light-filled rooms surrounded or defined by open grids with expressive roofs or objects, Utzon's work is able to make sense out of complex programs and create relaxed and continuous spaces.

Pavilion Living looks at the architecture of three recently completed pavilions by Peter Zimmerman Architects on the gardens of a large private house on Philadelphia’s Main Line, and the associated characteristics that accompany these beautifully conceived and carefully built structures. Located on a portion of what was once the extensive property of the Ardrossan Estate, an early 20th-century Georgian Revival mansion by Horace Trumbauer, the new pavilions accompany one of the next generation of houses that can now be seen on the rolling hills of the historic manor. Pavilion Living is a story that encompasses architecture, patronage, and the art of benessere (well-being) with the aim of serving designers and homeowners seeking similar solutions to meaningful outdoor living.

Architectural photography is where Se found his niche and in Seeing Borobudur he turns his expert eye on the world’s largest Buddhist monument in Central Java, Indonesia. Dating back to the 9th century, the UNESCO World Heritage site features thousands of stunning relief panels and hundreds of statues set within incredible temple architecture. This book offers a unique perspective on these treasures, taking readers on an in-depth exploration of the temple and the different religious stories, myths and depictions of everyday life found in the panels, which are generally considered to be some of the most exquisite of the ancient Buddhist world.

This instalment of the Oscar Riera Ojeda Publishers Masterpiece Series focuses on Hive Architects' Shibusa Residence on the Big Sarasota Pass in Siesta Key, Florida. In response to the client's brief; for their future home to reflect their simple, uncomplicated lifestyle, the long, narrow lot and zoning requirements, the studio decided to base their project around the Japanese concept of Shibusa: economy of form, line and effort resulting in a refined, timeless tranquility. Featuring critical texts by renowned architectural writers, detailed plans and layouts and comprehensive photographic documentation, this monograph shows how the L-shaped structure made up of a pair of rectilinear pavilions seems to float over the tropical landscape, offering excellent functionality for the public and private programs, which include a main and guest pavilion, tropical garden and lap pool, and, crucially, an uninterrupted stream of views of the Big Sarasota Pass and/or Bayou Louise throughout the property.

This book presents a privileged insight into the design and construction of the award-winning Thomas P. Murphy Design Studio Building through a series of interviews with the main professionals responsible for its conception, design and construction: the lead architects Bernardo Fort-Brescia, Raymond Fort-Brescia and Thomas Westberg; the builders Thomas C. Murphy, Erin Murphy, Nick Duke and Jason Anderson; the curtain wall manufacturers Jose Daes and Carmen L. Guerrero, and the University of Miami Project Manager, Gary Tarbe. It also offers sumptuous, detailed photography to provide a thorough understanding of a building that is not just a brilliant work of architecture in its own right but that also provides an inspiring, tailor-made environment in which to educate the architects of the future.

designwajskol an extensive range of projects created by the firm of the Italian-born designer Jonathan Wajskol over the last twenty-five years. The result is a visually driven experience that emphasizes a consistent design approach across all categories of design. The work ranges from editorial design to identities, way-finding, product design, interactive design and info graphics. The book highlights 50 projects and spans three continents: North America, Europe, and Asia. A collection of essays by notable design historians, educators and theorists, among them design-legend Massimo Vignelli, situates the work of designwajskol within the modernist tradition.

The work of Fabian Llonch and Gisela Vidalle - presented here in an eye -opening survey- is marvelous for its imaginative seamlessness, and the way in which the artist's truth always shines through the circumstances of its articulation. Here is architecture of inseparable form and thought. The thirteen projects in this book are filled with the fervor and energy of an architect who also teaches young architects. Fabian Llonch and Gisela Vidalle are part of a small group of architects who understand the importance of the relationship between teaching and practice, its place at that intricate and indefinable nexus of architecture and its theory in which architecture schools are hothouses for the incubation of ideas in architecture and design.

"I think bamboo is the right material for creating a new architectural language unique to Vietnam." Vo Trong Nghia. With the climate crisis raging and awareness of humanity's detrimental impact on the environment now patently apparent, the need for architects to come up with sustainable new solutions has never been more pressing. A key part of any green approach to architecture is the use of local natural materials with a low environmental impact. Bamboo, which has been widely used in Asian architecture for centuries as scaffolding and for bridges, pavilions, houses and other structures, is an ideal material in this context: lightweight, strong and readily available. In an effort to meet the challenges of the 21st century, VTN Architects has developed new ways of working with two species of bamboo in particular: the flexible "Tam Vong" (Thyrsostachys oliveri Gamble) and sturdier "Luong" (Dendrocalamus barbatus), creating a manufacturing workflow that allows for the production of standardized modules, a knitting technique that enables the material to span large distances and environmentally friendly traditional treatments such as mud-soaking and smoking. In Bamboo Architecture we see how these methods have been applied in award-winning, groundbreaking projects such as the Wind and Water Cafe, Diamond Island Community Center, and the majestic Vedana Restaurant, alongside an illuminating introduction by Masaaki Iwamoto and an interview with the studio principal Vo Trong Nghia who offers an inspiring vision for the future of natural, green architecture.

This book presents the work of the Spanish architect Julio Salcedo in a series of built and speculative projects. Salcedo's houses, early achievements that stunned both academic and professional circles with their fresh originality and precocious sophistication, are presented along with unpublished competition proposals for large-scale buildings. The projects' varying locales, scales and ambitions all demonstrate a commitment to architecture as a conceptual medium with the capacity to tackle complex ideas as well as a material practice of transformative, worldly practicality. Each is a built essay that works through architectural problems of form, construction and material to achieve thought-provoking resolutions of a difficult yet satisfying beauty. The book complements a thorough graphic documentation of selected projects with Salcedo's own writings and critical essays by Luis Rojo and Ivan Rupnik. They situate the projects in Salcedo's multi-faceted conceptual and professional world and place them in the context of the constellation of ideas that currently shape and propel the field. "...Julio Salcedo's ongoing interest in landscape and urban design has informed his architectural work, producing a rich, invested and responsible practice. In all, I believe his work illustrates his ambition to inform even modest architectural projects with broader issues present in contemporary practice, something that I believe speaks highly for his intense and profound interest in design." Rafael Moneo

A specific region's environmental needs often leads to a regional vernacular architecture that embodies a common style. Yet, Hutker Architects, Inc., has designed over two hundred homes in coastal New England that avoid a single style. The twenty-five diverse residential projects in this book illustrate a process not a preordained style. The common thread through the Hutker projects is use of the life equity principle: a home should generate social and emotional equity over time. The conversation between the architect and each client unveils how to design and build this home once well to ensure positive and enduring social and emotional outcomes. A home with life equity provides for the owner's long term needs, both physical and psychological, uses materials best suited to the spaces needed, and accommodates ever-changing family arrangements. The Hutker homes fit clients so well, that they are rarely sold outside the families that build them. Whether small or large, owners treat these homes as heirlooms to be preserved and handed down to the next generation.

“JONES STUDIO HOUSES Sensual Modernism� is a self-imposed limited look at the 40-year-plus career of Eddie Jones. Almost unheard of outside the southwest United States, Jones has quietly accumulated a body of work ranging beyond residential design to include major federal projects impacting the edges of America... to be featured in a soon to be published monograph! Supported by Aaron Betsky’s insightful forward, plus an enlightening interview with Vladimir Belogolovsky, and comments from many of his famous colleagues, Jones summarizes his lifelong dance with architecture through the personal stories embedded in each house. Refusing to repeat himself, the work tests the reality of gravity on a diverse spectrum of interpretive vernacular responses to climate, landscape and function. Although designed by the same hand, the forms vary as much as the choice of materials. Rammed earth, concrete, wood and metal are explored together and separately yet remain subordinate to Jones’ fascination with glass. Utilizing photographs, hand-drawings and first-person accounts, the motivations and joy of being an architect are expressed by an exceptional whole informed by many ordinary parts.

Immersed - The California Houses of Feldman Architecture is an indepth look at 20 years of the firm's defining residential work spanning three areas: Urban, Suburban, and Rural. Feldman Architecture, a vibrant San Francisco-based studio, aims to create authentic, sitesensitive, sustainable spaces through a deeply collaborative process. This book, which includes commentary from Aaron Betsky and Daniel P. Gregory, as well as an interview with Vladimir Belogolovsky, situates Feldman Architecture's work within the northern California design canon and illustrates how the firm's voice subtly translates across diverse geographies and contexts. Jonathan Feldman, in closing, reflects upon the values and aspirations that unify the firm's work and inform its vision for the future.

Lake Flato Architects, based in San Antonio and Austin, believe first and foremost that architecture should be rooted in its particular place, responding in a meaningful way to the natural or built environment. Using local materials and partnering with the best local craftsmen, Lake Flato seek to create buildings that are tactile and modern, environmentally responsible and authentic, artful and crafted. Now more than thirty years since its founding, the firm has grown along with the range and complexity of its projects, yet it still considers the desire to build in partnership with the land to be an approach that remains valid and increasingly resonant. Lake Flato s first projects were houses, and these projects excite the firm still. By exploring the intimate relationship between family, place, and building, Lake Flato create unique living environments that possess a compelling authenticity and beauty.

"Vietnamese cities have lost their tropical beauty. They have turned into concrete jungles just like Bangkok or Jakarta." Vo Trong Nghia In a context of rapid urbanization and environmental crisis, Vietnam, like many other countries across the world, requires innovative new architectural solutions to improve the lives of its urban residents. Green Architecture showcases the multi-faceted responses to these challenges conceived by the award winning studio VTN Architects, led by Vo Trong Nghia, in which the emphasis is placed on bringing greenery back to cities in a holistic and sustainable manner. Through detailed illustrated breakdowns of a series of building projects such as The Babylon Hotel, House for Trees and Nanoco Headquarters, as well as several schools, educational institutions and apartment buildings, and enlightening texts including an interview with the architect, this book explores how Vo Trong Nghia and his team draw on their experience and philosophy to help restore the connection between architecture and nature. "Green architecture means being friendly with the environment, not just planting trees," Nghia says, and in these pages we see those sentiments reflected in the flow and design of his buildings, which transcend functionality to foster a sense of community in a way that is drawing admiration and setting an example across Southeast Asia and much further afield.

Between 1915 and 1917 the Russian composer, Sergei Prokofiev wrote a series of twenty piano pieces. While playing them for a gathering of friends, the poet Konstantin Balmont wrote a sonnet which entitled Mimolyotnosti which Kira Nikolayevna would translate as Visions fugitives. Inspired by these dazzling miniatures, I have assembled a jewel box containing twenty individual felt-tip drawings on watercolor paper capturing fugitive visions of Taos and Santa Fe, New Mexico.

Between 1915 and 1917 the Russian composer, Sergei Prokofiev wrote a series oftwenty piano pieces. While playing them for a gathering of friends, the poet Konstantin Balmont wrote a sonnet which entitled Mimolyotnosti which Kira Nikolayevna would translate as Visions fugitives. Inspired by these dazzling miniatures, I have assembled a jewel box containing twenty individual felt-tip drawings on watercolor paper capturing fugitive visions of Italy. I have always been eager to capture the faded beauty of cities and buildings. This obsession would inevitably draw me to Venice and Sicily. Wandering amidst the shadows of the Venetian light I have tried to portray the beauty of this luminous city. No part of Italy has as many layers of history or been inhabited by so many different peoples as Sicily. From the Greeks who colonized Siracusa and Selinunte, to the Romans in Agrigento, to the Normans in Palermo.

Between 1915 and 1917 the Russian composer, Sergei Prokofiev wrote a series of twenty piano pieces. While playing them for a gatheringof friends, the poet Konstantin Balmont wrote a sonnet which entitled Mimolyotnosti which Kira Nikolayevna would translate as Visions fugitives. Inspired by these dazzling miniatures, I have assembled a jewel box containing twenty individual felt-tip drawings on watercolor paper capturing fugitive visions of China. For a country that has of late been focused on the future, I have been fascinated by the search for a true contemporary regional language in traditional Chinese architecture and painting. The intricate and careful composition in relation to landscape and light has been a continual revelation, as evidenced by the Summer Palace on the outskirts of Beijing and vanishing water towns such as Zhujiajiao, known as the "Venice of Shanghai."

We wanted the house to lie amid the woods | Landscape, esthetics, and common sense are the three axes that direct the work of Argentine architect Luciano Kruk. This book illustrates in great detail one of his most representative works: his own summer house. And it is precisely because it tackles a self-imposed need that his deepest insights about architecture are condensed in this house. | L4 HOUSE is one of Kruk's most mature works, one in which he managed to stretch his esthetic and spatial search to the extreme. The author's philosophy and architectural values emerge through a thorough study of this house. "You learn watching", Luciano sometimes says. | In this project as in all of his other buildings, Kruk seeks to create essential spaces where the esthetic pleasures can be enjoyed. His structures aim to provide an harmonious integration with the landscape, since he cosiders houses to be shelters.

Wineries of the World celebrates the architecture and design of contemporary viniculture. From a vineyard in Napa Valley in the U.S., to an Italian winery estate in the hills of Tuscany, to an Australian enterprise at the cutting edge of organic viniculture, the projects featured are all exemplars of the finest taste in both wine and design, and increasingly popular destinations for wine lovers. With the rise in destination travel by wine lovers over the past years, vintners the world over have embraced the opportunity to create splendid spaces for visitors to enjoy unique varieties alongside good company. Rather than repeat established, even ancient traditions cultivated over centuries throughout Europe, the contemporary architecture of wine has become a modern celebration of place, reflecting the topography of the landscape in which a winery is situated, the agricultural heritage, and at times the regional vernacular. Ultimately, these projects comprise an expression of bold vision coupled with a passion for sustainability and design.